Interview with FELIX BLACKWELL, author of Stolen Tongues
Stolen Tongues
In 2022, I stumbled upon the book Stolen Tongues by the independent author Felix Blackwell.
With a love of horror, and a flare for the craft myself, I downloaded the book and set dove head first into this tortured tale. I finished the book within a few short days, unable to put it down and unable to sleep as a result.
The book is phenomenal: drawing on the fear of the unknown, the dark and that someone (something) may be feeding off the unconscious mind of a loved one and you can do nothing but watch them dissolve into insanity. It reminded me of two tales I am fond of -
The Babadook - A movie in which an entity is personified as grief and slowly eats away at the protagonist that is gripped in an unconscious battle with unresolved trauma, like a rotten tooth that is left to fester.
It Follows - A brilliant tale of something unknown is following you. Its origin and motivations are unknown, other than it is unseen other than those afflicted by its curse, and it will stop at nothing until it has devoured you.
The book draws you in from the beginning, and the vice grip of terror doesn’t relent until the final page. Felix creates a terrifying tale laced with love, loathing, mystery and desperation. Not to mention the psychological and mental illness themes that run through the narrative, all to concoct a wicked tale of hellish brilliance.
As I enjoyed this book so much, I decided to reach out to the master of horror himself, and he kindly allowed me to pick his hellish mind.
Felix Blackwell - Facebook
The Interview
Firstly Felix, I would like to begin by saying I am thrilled that you have agreed to do this. I really enjoyed your work, and I reached out on a whim. It shows how much you care for those that take the time to read your work in that you are happy to speak to them and answer a few questions they might have.
JD – So, when did you begin writing?
F.B – I started writing poetry and flash fiction around age seven. My mom has been a writer her entire life, so I used to watch her do it as a kid, and I began imitating her as I got older. A pivotal moment in my early writing life was a two-page fantasy story I was assigned to write in fifth grade; I had so much fun with it that I turned in something like 25 pages. It did not go over well with the teacher.
JD – When did you start taking things seriously?
F.B – An unpublished video game I wrote between 2006-09 was the first thing I put professional-grade effort into. I built the world, developed the characters and history, wrote all the quests, etc. It was the first major project I had ever brought to completion. My intention was to sell the intellectual property to a video game company because I had friends in the industry. In the end, nobody wanted it, and I realized I was just a starry-eyed nobody who wanted to live the dream of writing game lore. Since then, I’ve converted the game into a universe in which I’m writing two fantasy novels. I have yet to publish one of those, but I plan to within the next few years, after a few more urgent horror novels.
JD – Where did the idea of Stolen Tongues come from?
F.B – Stolen Tongues came from my partner’s sleep disorder, and a very talkative parrot I used to know. I thought up the idea of a creepy entity trying to interrogate her as she talked in her sleep, and later I decided it should imitate humans through observation and interaction, much like the parrot. I grew up in Colorado, so that felt like a natural setting for the story.
JD – How did you feel having both yourself and your partner as the characters of the story? Is there any truth to the character’s personalities compared to yourselves in real life?
F.B – The characters are mostly based on our real personalities, with a few details changed. She is tough, fiery, and loves taking naps; I am much more of a reader than a fighter, so I’d be as ineffective as Felix in a confrontation with an interdimensional parrot-monster.
JD – Stolen Tongues has had a lot of success. Tell me how that happened?
F.B – It was dumb luck. I posted a story to NoSleep and it went to the front page of Reddit within a few hours. From there, I converted it into a full novel, and people have been sharing it all over social media ever since. I did zero marketing and frankly did not expect the story to get virtually any attention. It was written stream-of-consciousness style and did not have the proper planning of my other works. I’m still shocked it’s more popular than In the Devil’s Dreams, which I consider to be a superior example of my writing style.
JD – The story reminded me of The Babadook, in which you deal with trauma and grief in a manifestation which follows a person around and breaks them down. Was that intentional? What was the inspiration for that?
F.B – I personally don’t think of the Impostor as a metaphorical manifestation of negative emotions (but if you like those types of monsters, In the Devil’s Dreams is chock-full of them). But I do see the similarities. The Impostor, to me, is a very real entity whose origins are unknown, and who is especially drawn to people with hidden trauma – for reasons that will be explored to a deeper level in the upcoming prequel novel. The inspiration for the metaphorical creatures I do write, however, probably comes from my boundless love of the Silent Hill franchise.
JD – Have you had any formal training of writing?
F.B – I sometimes argue that the great lesson of college and graduate school, for me, was not the body of knowledge associated with the degrees I earned, but rather the study of writing itself. I didn’t teach for many years before switching careers, but I certainly gained most of what I know about writing – fiction and academic – from my years at study. And I still use that training every day.
JD – You have released further books. Tell me about those?
F.B – In the Devil’s Dreams is a densely metaphorical, unreliably narrated psychological thriller told out of chronological order. It will be an ordeal for some readers, but for me, it was an act of self-help after exiting an unhealthy relationship. It is about pain, loss, and the wounds we all conceal from each other. The Cold People is an anthology comprised of short horror stories written by me and my close friend, Colin J. Northwood. It contains early sketches of the ideas that later became Stolen Tongues.
JD – Plotter, panzer, or something in between?
F.B – I’m the most devout plotter I know. I worldbuild and plot so much that by the time I start writing the manuscript, 90% of the work is already done. Structure and scaffolding hold up a good story, and I think it’s the most important skill a writer can develop. I’m still working on it…
JD – Whose writing are you influenced by?
F.B – Mary Shelley and Dan Simmons were my favorite horror authors when I was younger, and a few years ago I finally sat down and actually read much of Lovecraft’s bibliography. I would say his work, and the other titans of weird fiction after him, have had a greater influence on my recent writing than anyone else I’ve ever read. Lovecraft truly disturbs me to my core.
JD – What got you into writing?
F.B – I always had a lot of big feelings when I was younger. I realized in my teens that the only way I could accurately express them was through an instrument, or through a pen. So I do both now. I wanted to make other people feel the way my favorite music and books made me feel.
JD – Stolen Tongues has opted for a film. Can you share anything about that?
F.B – It’s been optioned several times and passed around Hollywood a bit. A few scripts have been written for it. So far, the next major step, which is securing a partnership between the screenplay writers and the production company, has not yet come to pass. I wish I could say more but I’ve signed a lot of contracts. When there is real news to share, I’ll be screaming it from the top of Pale Peak.
JD – Do you write in other genres or just horror?
F.B – I’ve got a fantasy and a psychological thriller in development, but they’re sort of on hold while I work on the Stolen Tongues prequel.
JD – Any marketing tips? How do you promote yourself?
F.B – I have never really marketed myself. I just got lucky and had people review my work a lot on social media. I do sometimes interact with readers in the online book clubs, but I have never paid a service to increase my SEO or stick my book on the front page of an ebook newsletter or anything like that. I feel a lot of those services are scammy and should probably be avoided. Success is fickle in this industry, and I have to say, I read more talented and more creative writers than me every single day… fate could have chosen any one of them instead. It’s all so random.
JD – What challenges did you face when writing Stolen Tongues?
F.B – Stolen Tongues was originally a one-off short story that I submitted to NoSleep, just to see if maybe ten people liked my writing style enough to upvote it. When I saw that it had gone viral, I hurriedly wrote a second entry, and then a third… I think I ended up at like nineteen entries, and all of these were written without much of a plan. I remember standing at a bus stop at the base of campus, wondering alongside all the other readers just how the hell I was going to end the story – on the night before the final entry was set to come out. NEVER AGAIN.
JD – You dip into Native American lore and culture in the book. How did you find doing this?
F.B – I was in graduate school working on my Master’s thesis in American History at the time I started writing Stolen Tongues. I was doing a few major projects on Indigenous histories, and was particularly moved by an ethnography I’d read about the Western Apache. Then I read a book about the Comanche empire, and then I got into Ned Blackhawk’s Violence over the Land. All of that material, and the seminars it was assigned in, caused a huge shift in consciousness for me. I wanted to include Indigenous characters and their personal histories and complicated encounters with Western conceptions of them into my writing. I think ultimately I just wanted to start a conversation about Indigenous people in the horror genre.
JD – What does your writing process look like?
F.B – I write a book in three stages: the first is catching all of the associated characters, plots, settings, and ideas into a physical journal. That’s my favorite part, and I do that for several months. Then I start organizing and refining all of that raw material into a more honed project. That’s the hardest part. And when that’s done, the easiest part is just taking that project apart, piece by piece, and converting each piece into a chapter. None of this happened with Stolen Tongues by the way. I completely winged that shit due to time constraints, and it shows. I only had seven months to convert that story series into a novel because of a poorly selected Kickstarter due date.
JD – You rose to infamy with the story on Reddit. Tell me how that happened? Describe to me the process and any issues/highs/lows you felt?
F.B – I talked a bit about this earlier, but the whole thing felt totally surreal. Never before had anyone appreciated my writing, and suddenly I had tens of thousands of people reading my story all over the world. Every single email and personal message I got blew my mind. The thing that I still can’t believe, even to this day, is stumbling upon conversations online where people are debating the symbolism and characters. Totally unreal.
JD – I have a tonne of other questions to ask, but I think this might be the biggest one. What advice would you give to someone that is thinking of starting their own writing career?
F.B – Write because you feel compelled to do so at the level of your soul. If you write with the intention of “making it” financially, you will very likely be disappointed. Let any financial success be an unexpected bonus. Write a few times a week, and make sure all of your content is high-quality – it represents you.
JD – Closing thoughts. Is there anything you would like to say about yourself, or your work? Leave the readers with something to think about?
F.B – Many of your lingering questions about Stolen Tongues will be addressed in the prequel novel. And that novel will be a surprise, for a lot of reasons.
Felix Blackwell was summoned from the bowels of reddit after a botched summoning ritual. He writes in the horror, thriller, and fantasy genres.
